Here is the Table of Contents:
PREFACE.
CHAPTER I. TONE-PRODUCTION AND VOICE CULTURE
CHAPTER II. BREATHING AND BREATH-CONTROL
CHAPTER III. REGISTERS AND LARYNGEAL ACTION
CHAPTER IV. RESONANCE
CHAPTER V. EMPIRICAL MATERIALS OF MODERN METHODS
CHAPTER VI. A GENERAL VIEW OF MODERN VOICE CULTURE
CHAPTER I. MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE
CHAPTER II. THE FALLACY OF THE DOCTRINE OF BREATH-CONTROL
CHAPTER III. THE FALLACIES OF FORWARD EMISSION, CHEST RESONANCE, AND NASAL RESONANCE
CHAPTER IV. THE FUTILITY OF THE MATERIALS OF MODERN METHODS
CHAPTER V. THE ERROR OF THE THEORY OF MECHANICAL VOCAL MANAGEMENT
CHAPTER I. THE MEANS OF EMPIRICAL OBSERVATION OF THE VOICE
CHAPTER II. SYMPATHETIC SENSATIONS OF VOCAL TONE
CHAPTER III. EMPIRICAL KNOWLEDGE OF THE VOICE
CHAPTER IV. THE TRADITIONAL PRECEPTS OF THE OLD ITALIAN SCHOOL
CHAPTER V. EMPIRICAL KNOWLEDGE IN MODERN VOICE CULTURE
CHAPTER VI. SCIENTIFIC KNOWLEDGE OF THE VOICE
CHAPTER I. THE CORRECT VOCAL ACTION
CHAPTER II. THE CAUSES OF THROAT STIFFNESS AND OF INCORRECT VOCAL ACTION
CHAPTER III. THROAT STIFFNESS AND INCORRECT SINGING
CHAPTER IV. THE TRUE MEANING OF VOCAL TRAINING
CHAPTER V. IMITATION THE RATIONAL BASIS OF VOICE CULTURE
CHAPTER VI. THE OLD ITALIAN METHOD
CHAPTER VII. THE DISAPPEARANCE OF THE OLD ITALIAN METHOD AND THE DEVELOPMENT OF MECHANICAL INSTRUCTION
CHAPTER VIII. THE MATERIALS OF RATIONAL INSTRUCTION IN SINGING
CHAPTER IX. OUTLINES OF A PRACTICAL METHOD OF VOICE CULTURE
