PICTURE AND GET THE ORIGINAL CERTIFICATE of a picture originally ... original signature, stamp and description Norwegian Society (Batinske, January 1, 1932 - Zagreb, 29 August 2004) Featured artist, representative of Croatian naive art, collector and bibliographer Norwegian Society was born in the Podravina village of Batina near Kalinovec laborers in the family. Upon completion of primary school is working on agriculture, and then a job as a forestry worker. He was a self-taught painter. The first pictures painted in 1944 watercolors, and in them naturally exposed to experiences of nature and life in the countryside. In 1952, he made the first drawings, and moving in Kloštar Podravski, where he lived from 1954 to 1957, painted his first pictures. In 1957 he moved to Zagreb, where he works as a postman, and after finishing night school becomes a postal clerk. In Zagreb in 1962, meets the Cross Hegedušića and occasionally works in his master's workshop. At that time begins the exhibit. In 1968 leaves Zagreb Post and professionally engaged in painting. Then becoming a freelance artist whose works public of the many exhibitions at home and abroad. Became a member of the Croatian Association of Artists (CAA). He exhibits all over former Yugoslavia, mostly in Croatia, and in many countries of Europe, Asia, Africa, America and Australia, the group and solo exhibitions. His paintings and drawings are in many prestigious international galleries and private collections. He was sincere Croatian patriot. As a member of the National Guard defended the young Croatian state, and was a representative of the City of Zagreb in both convened by the House of Counties of the Croatian Parliament, as an independent agent, although both times elected on the list of HDZ and was a member of the Club of the HDZ. Norwegian Society painted oil on glass, the traditional technique of Croatian Naive Artists northern regions. Most often he painted landscapes, figural compositions, flowers and still lifes. Portraits are very rare. On the white surface of paper base its means of expression was a line of rich and rugged to the fullest potential. The landscapes he painted representations of scenes of village life. he talked about the people who have accidentally appeared only in passing, while all around them remains invariant
140 USD LimitedAvailability
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