RARE VINTAGE CLASSICAL WORK FOR PIANO AND ORCHESTRA FROM ANTONIN DVORAK Biography by AMG Widely regarded as the most distinguished of Czech composers, Antonin Dvorák (1841-1904) produced attractive and vigorous music possessed of clear formal outlines, melodies that are both memorable and spontaneous-sounding, and a colorful, effective instrumental sense. Dvorák is considered one of the major figures of nationalism, both proselytizing for and making actual use of folk influences, which he expertly combined with Classical forms in works of all genres. His symphonies are among his most widely appreciated works; the Symphony No. 9 ("From the New World," 1893) takes a place among the finest and most popular examples of the symphonic literature. Similarly, his Cello Concerto (1894-1895) is one of the cornerstones of the repertory, providing the soloist an opportunity for virtuosic flair and soaring expressivity. Dvorák displayed special skill in writing for chamber ensembles, producing dozens of such works; among these, his 14 string quartets (1862-1895), the "American" Quintet (1893) and the "Dumky" Trio (1890-1891) are outstanding examples of their respective genres, overflowing with attractive folklike melodies set like jewels into the solid fixtures of Brahmsian absolute forms. Piano Concerto in G Minor, B. 63, Op. 33 Composition Description by Blair Johnston Antonín Dvorák composed his only virtuoso vehicle for pianoforte and orchestra during the late summer months of 1876, at the prompting of a notable Czech pianist. The Piano Concerto in G minor, Op. 33, is often described as Dvorák's first effort at concerto composition, but in fact this is not so: he had, a dozen or so years earlier, made what might be called a first draft of a concerto for cello and orchestra — an apprentice piece that quite naturally pales when placed next to his mature cello concerto of 1894-1895. It is usually, but certainly not always accurately, assumed that a pianoforte concerto is a vehicle for better and loftier musical thoughts than is a concerto for string instruments (the assumption goes back to Mozart and Beethoven, for whom it does indeed hold true), and Dvorák — himself far more a string player than a pianist — seems to have approached his Piano Concerto with that assumption in mind. The work is epic in style, grand in architecture, and sewn from an immediately and urgently dramatic fabric very different in kind from that used for the Violin Concerto, Op. 53, of just a few years later. performed by Justus Frantz and the New York Philharmonic conducted by Leonard Bernstein Biography by AMG As composer, conductor, and educator, Leonard Bernstein (1918-1990) emerged as one of a handful of figures in the twentieth century who truly changed the face of music. As a composer, Bernstein left a far-reaching legacy that includes three symphonies, a film score of singular distinction, (On the Waterfront), and an important body of stage works, including one of the cornerstones of American musical theater, West Side Story (1957). The first American-born conductor to attain international superstardom, Bernstein made a profound impression on audiences; his podium manner was dynamic, even flamboyant, to an extent never before witnessed. Bernstein's extroverted manner attracted much criticism from those who dismissed him as a mere exhibitionist; his advocates, however, far outnumbered his detractors. COLUMBIA MASTERWORKS STEREO M-33889 SLEEVE IS IN VERY GOOD CONDITION - LP IS IN EXCELLENT CONDITION
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