The LAB Frontier Video Tutorials(28 Videos) + BONUS The Idea Bucket
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Dear Friend,
This course will focus on some of the more advanced techniques
of LAB color correction. The course will cover a workflow that
begins in RGB and ends in LAB for the purpose of color enhancement.
Course Lessons include:
*** Introduction (08:28)
An introduction and overview of the course
*** Real, Unprintable, and Imaginary Colors (08:58)
What happens when LAB has colors that are outside
not just the CMYK, but the RGB gamut.
*** LAB and the Perfect Sunset (05:33)
How imaginary colors give LAB the advantage over
working in RGB or CMYK
*** Retouching Blown-Out Areas (04:36)
Retouching blown-out areas using imaginary colors in LAB
*** Painting in Color (03:01)
The LAB advantage of painting in Color mode to repair
blownout face areas
*** Using Blend If (02:17)
Isolate blown-out areas for correction by painting
*** Low-Radius Sharpening (03:00)
How conventional (low-radius) sharpening in LAB differs
from using the same settings in RGB
*** Blurring Skies and Blend If (07:26)
Sharpening in LAB
*** Compare LAB to RGB Sharpening (01:39)
See the difference between the two methods
*** Emphasize Color Transitions (09:33)
*** Sharpening the AB Channels (02:42)
French Impressionism and sharpening the AB channels
*** When to Avoid Sharpening the AB Channels (01:19)
Some situations will call for a different sharpening method
*** Hiraloam Sharpening (10:24)
Hiraloam sharpening in both Luminosity and Color modes in
an overall workflow context
*** Multiply Mode (03:32)
The importance of multiply mode to enhance the quartertone
*** Choosing the Proper Layer Mask (03:15)
Choosing the proper layer mask for an LAB multiplication
*** Another Example (02:12)
Here is another example of how to choose the proper layer mask
*** LAB Is Not Rocket Science (03:13)
Noise reduction in LAB isn't rocket science
*** The M.P.P.S. (01:31)
Reduction of color-only moires in LAB
*** Blending with the AB Channels (04:58)
Blending with the AB channels to remove complicated moires
*** Comparing Methods (04:45)
Blending the A or B into the L versus using the A or B as a mask
*** Overlaying the A and/or B Onto Itself (02:37)
These two blends can accomplish a great deal if you
understand how to use them
*** The Man From Mars Method (06:04)
The Man from Mars Method in combination with a final
Darken/Lighten blend from the A and/or B
*** The Man from Mars Method for Fleshtones (06:38)
The Man from Mars Method for fleshtones, with
final AB blend to limit damage
*** A Comprehensive RGB to LAB Workflow (12:36)
A comprehensive RGB to LAB workflow to break colors
apart in a heavily-casted maritime scene
*** RGB Channel Blending (03:18)
RGB channel blending as a prelude to the Man from Mars Method
*** More Practice with the RGB/LAB Workflow (05:57)
The RGB/LAB workflow and an outdoor family shot
*** The Workflow with Wildlife Photography (06:58)
RGB/LAB workflow and wildlife photography
*** Conclusion (03:26)
Thanks for following along. Hope you learned a lot.
Course Time: 02 Hours 10 Minutes
The LAB Frontier Video Tutorials(28 Videos) + The Idea Bucket
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